Tuesday, October 30, 2007

Robert Goulet or Mr G: The Days When They Could Belt Them Out

My kids listen to voices that are stifled. The singers mumble words and toss out lyrics that have the same monotonous rhythm, and every line ends in a rhyme. "Day, may, bay, say, kay, way.." you get the drift.

But when I was growing up, Broadway stars were on the TV. From Julie Andrews to Ethel Merman, we had them all. Pearl Bailey, and even Barbra Streisand were introduced on hour-long variety shows and one thing they all had in common --they could belt out the tunes with a full voice. None of this stringy, raspy stuff where the guy sounds like he needs a dose of B-12 and maybe a round of whiskey to loosen things up. No wonder Josh Groban is such a standout. His voice sings above all the whiny (almost apologetic) voices, as well as the mumblers.

Anyway, to the point of my post. Robert Goulet died today here in L.A. He was awaiting a lung transplant, and was sedated and intubated when he died. It seems a sad way for a man renown for his voice to go out. Robert Goulet was one of those guys on the TV when I was a kid. He was always a little bit too good looking and intense --the sort that would make me want to crawl under a sofa until he stopped singing. Not because his voice was bad, but one glance at those blue eyes, that grin, the way he could toss out a line rendered me shy.

When I watch him now all I can think is how damned lucky he was to have such a great career. This French-Canadian kid arrives on the stage with ...Richard Burton and Julie Andrews. He also happened to get best song in the musical, "If Ever I Would Leave You." The rest is history, as they say. He did the whole dinner circuit thing, variety shows, even when the crowds got older. Turns out he was a voracious reader, and could poke fun at himself as well. He belted out tunes until the day he got sick. Had he not died, Goulet would've of kept them coming, would've played with the words and the rhythm and continued to tell a story. I found the remaster of the original cast. Wow, could he sing. He had it all. Looks, charm, & song.



Even Will Ferrell loved him:


and then read of a friendship between Mr. G and columnist Joel Stein, which includes: "He reads four newspapers a day and all the newsmagazines, which he clips. That, plus the slapping and his habit of breaking into song, and he reminded me a bit of a dangerous homeless man, only better looking."

And then watch him and Broadway luminaries in the Tony Awards. Just watching ride in on the back of the Rolls Royce is proof enough of his appeal on the stage.

5 comments:

Mary Witzl said...

I had to run and hide when Robert Goulet came out to sing, too, but it had nothing to do with admiration. I associate him with that Lawrence Welk kind of music, Kanani -- the kind that made me horrified just to hear it.

But some of the crap my kids listen to! They are passionate fans of Japanese rock, especially the visual K stuff that features boys who look like girls and girls who look like boys who look like girls (yes, really -- gender ambiguity is very big in Japan). I grind my teeth when they turn it on at blast-your-ears- off volume.

It's almost enough to make me want to listen to Robert Goulet. Almost. But he did have a fine voice -- even I could tell that! -- and how sad that he died waiting for a lung transplant.

Dr Maroon said...

Scuse me while I kiss this guy?
Me ears are alight!

As for your singer, sic transit. There are still some left with Chevy V8 voices in today's lawnmower age.

Alas Kanani it is the gas pump on the road to...no wait that was the other one...I think it was on the road out of and I thought, "That'd make a fine pikter" I hope that clears it up for you.

Kanani said...

Oh, he was so far beyond the Lawrence Welk kind of "hush hush voice--don't sing too loud but nice and polite" kind of songs. I grew up loving the Broadway stars, would never miss them on the TV singing Hammerstein, Rogers & Hart, and my favorite --Sondheim (Basically, I think Andrew Lloyd Weber should be stopped --shit what he did with Cats was put Eliot into the litterbox).

They just stopped writing music for his kind of voice for about 2.5 decades. His voice was made for the stage, he could belt them out, but still be playful and lay down the line so you'd understand it.

I always thought Goulet was doing some schtick through the 80's. But then, everyone does some sort of schtick, so why not get paid big bucks to do it even if it means wowing the big-haired ladies for a decade or so, before you make a full comeback like Tony Bennett has done? And what a pity he died --Robt. I think he missed his big comeback.

Yup, Doc, there are some big, big voices out there that can still tell a story. And go right ahead. Stand in line. I think a lot of people are wishin' they kissed him earlier.

Mary, I don't now why you're so horrified by the music in your past. I love it all. It was the era.

Feck... which reminds me... I need to go buy some tix for Vegas. That's the place to see musical theatre now, even though they hack up the production and make it shorter since everyone who goes to Vegas is either ripped or has ADHD or both.

PI said...

May he rest in peace.

Mary Witzl said...

I've been trying to answer this question you posed, and I just can't do it! I don't know why, but this sort of music made me cringe. Mitch Miller, though -- I remember liking him! And Desi Arnaz and his conga line. Edith Piaf, Louis Armstrong and Bing Crosby too -- I always liked them. See? I'm not entirely estranged from that generation.

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